The Sydney Opera House transcends being a building- Utzon’s sails are embedded deep in the collective unconscious. It’s kind of mythical. I’ve loved it for a very long time, ever since I was a child & then later when studying Architecture at Sydney University. This summer I designed a pop up bar to go on the Western Promenade for the month of January. . .
sometimes a dream job just finds you-
the magical approach by ferry
the bow tie & braces uniform of the bar staff
Being a UNESCO heritage building there are many protective regulations in place but for 40 days of the year the rules are relaxed with the “Summer at the House” program. In 2015 the theme was “Beach”. To get a handle on it I started to think about the unique flavour of Sydney in summer- that relaxed, casual, abundant feeling. Anyone can go down to the harbour, to a park or a public area, take a picnic and have a millionaires’ view. I wanted this bar to be somewhere where people would feel at their absolute best. . .
the inspiration – Jackie Onassis on Skorpios
The reference that seemed to encapsulate that feeling was a photo of Aristotle Onassis and Jackie on their private Greek Island, dressed all summery, under a pergola dripping with vines. Also influential was the look and feel of the Soho House group: their masterful mix of the simple and rustic with the sophisticated that create a unique feeling of comfort and charm.
checking back over my concept document
the lucky anchor I found on the beach
Even though it looks onto the stunning vista of the city, the Bridge and passing boats, the actual area in front of the Playhouse is windswept and harsh. The bar needed to provide patrons shelter from the rain and sun. I also wanted to bring in a sense of fun and to do this, used a colour palette of Indian Red, Turmeric Yellow and Aqua Blue. Hot spicy colours that promised a good time.
the front of the cool room
the waterside bar front of the kitchen/bar cabana
The footprint was 1000 square meters and comprised of a lounge area, bar/kitchen cabana and a pergola where musicians would perform every night. An engineer had to certify the structures for a high wind rating. Given that is was only for a month, the strokes had to be broad.
looking through to the kitchen/bar cabana
the circus like canopy of lights
The bar is coming to an end in a few days: it will be dismantled and packed up – the show will be over. What I’ll remember most, apart from the challenges of the process, are the actual nights spent there. Lying on the cushions with friends drinking pina coladas and listening to beautiful live music. The canopy of lights glowing next to the sails. And a couple of times when stepping back and looking up, the privilege of designing a space, however temporal, at the Sydney Opera House.